Tuesday, December 13, 2016

John Donne's "Nocturnal upon St. Lucy's Day"

Today, December 13, is Saint Lucy’s Day.  In John Donne’s time, when the old calendar was still in use, it fell upon (and was, therefore, the feast of) the winter solstice.  Donne wrote the poem as he was coming to the end of his days as a ladies’ man.  In the poem he lets the reader know that the experience is growing ever more degrading.  Soon he would marry, take religious orders and begin his later phase writing mystical religious poems.

The earlier poems, with their adoption of scientific metaphors, are the single greatest inspiration to my book of poems MindDance.  Some of all of that is evident in this transitional poem.



A Nocturnal upon St. Lucy's Day
by John Donne

'Tis the year's midnight, and it is the day's, 
Lucy's, who scarce seven hours herself unmasks; 
         The sun is spent, and now his flasks 
         Send forth light squibs, no constant rays; 
                The world's whole sap is sunk; 
The general balm th' hydroptic earth hath drunk, 
Whither, as to the bed's feet, life is shrunk, 
Dead and interr'd; yet all these seem to laugh, 
Compar'd with me, who am their epitaph. 

Study me then, you who shall lovers be 
At the next world, that is, at the next spring; 
         For I am every dead thing, 
         In whom Love wrought new alchemy. 
                For his art did express 
A quintessence even from nothingness, 
From dull privations, and lean emptiness; 
He ruin'd me, and I am re-begot 
Of absence, darkness, death: things which are not. 

All others, from all things, draw all that's good, 
Life, soul, form, spirit, whence they being have; 
         I, by Love's limbec, am the grave 
         Of all that's nothing. Oft a flood 
                Have we two wept, and so 
Drown'd the whole world, us two; oft did we grow 
To be two chaoses, when we did show 
Care to aught else; and often absences 
Withdrew our souls, and made us carcasses. 

But I am by her death (which word wrongs her) 
Of the first nothing the elixir grown; 
         Were I a man, that I were one 
         I needs must know; I should prefer, 
                If I were any beast, 
Some ends, some means; yea plants, yea stones detest, 
And love; all, all some properties invest; 
If I an ordinary nothing were, 
As shadow, a light and body must be here. 

But I am none; nor will my sun renew. 
You lovers, for whose sake the lesser sun 
         At this time to the Goat is run 
         To fetch new lust, and give it you, 
                Enjoy your summer all; 
Since she enjoys her long night's festival, 
Let me prepare towards her, and let me call 
This hour her vigil, and her eve, since this 
Both the year's, and the day's deep midnight is. 







I plan to continue the celebration of the incredible diversity of our universe and my return to poetry on the Mind Dance Facebook page during the days ahead.  It is intended to be something of a bridge between Mind Dance and the next book of poetry.  Everything that fascinates me and that might come together as a new poem is fair game.  The intention is to look on in wonder and to have a lot of fun.   I hope you will click the “Like” button and join that fun.






Monday, October 10, 2016

Welcome to the Mind Dance!

Autumn and poetry.  The two have always been closely related in my mind.  Still, I have passed more than five years — each with its autumn — without writing a poem.  Several years before that I was writing only one or two poems a year.

I’ve spent the three most recent years writing and publishing only prose.  It seemed the rational choice.  I must show discipline.  Poetry must be set aside for as long as necessary.  As it was, the odds for success might be somewhat less than 50-50 even with all but perfect discipline.  Even then the indie publishing platforms available to me on the Internet must not contrive to reduce royalties or page views in any substantial way.  While such reductions were clearly likely to happen — given the accelerating trend toward shaking-down those who are nominally contractors for endless hours of sub-subminimum-wage work — I had to hope that the transition would wait long enough for me to establish a firm foothold.





Well, all the eventualities that had to wait didn’t.  All the transitions that needed to be gentle weren’t.  There being nothing to be done about the matter, and autumn being in the air, I return, after far too long an absence, to poetry, and wide-open windows, and blankets on the bed, and bicycle rides.  Fifty-eight poems that I have already had the pleasure of obsessing over, during autumns past, are now gathered together in my first book of poetry, Mind Dance.

The cover of Mind Dance features Spiral Galaxy M74, and is, I think it fair to say, all to the point.  I’ve chosen to strictly limit the time period covered in the book to between the Big Bang and the early 21st century.  The subjects range from subatomic particles to monks to punk rock singers to pirouetting galaxies speeding away from each other into infinite space.  The dimensions run from the pedestrian 2- and 3-D to who-knows-how-many-D.  In other words, these are poems that deal with more or less normal people leading more or less normal lives.

The personal journey that these poems represent has been fascinating and joyous, dysfunctional and deeply disheartening.  The wonder, the beauty were gifts the universe freely gave.  I could not otherwise have possibly afforded them.  The pain, the ugliness came at a steep price but were otherwise almost impossible to distinguish from them.  The strength the reader will find was hard-earned.  It is my hope that she or he will find some part of all of that in the experience of the reading.

So the reader will find neither Hallmark verse nor chicken scratchings, neither a giant Kumbaya nor an exhausted nihilist rant.  These poems are intended to be both joyous and realistic, as messy and as glorious as the human race.  They have birth in them and death and pretty much everything in between.

I have also published a healthy selection of these poems in Kindle format.  I will be offering that edition for free during the Virtual Publishing Party event.  All of this by way of celebrating the arrival of autumn.  I’ve stinted the season and myself too long.  It is time to put both prose and percentages back into proper perspective.  I need both autumn and poetry back in my life again.

I plan to continue the celebration of the incredible diversity of our universe and my return to poetry on the Mind Dance Facebook page during the days ahead.  It is intended to be something of a bridge between Mind Dance and the next book of poetry.  Everything that fascinates me and that might come together as a new poem is fair game.  The intention is to look on in wonder and to have a lot of fun.   I hope you will click the “Like” button and join that fun.

Friday, August 19, 2016

Now Available in Paperback!

Henry David Thoreau and Two Other Autistic Lives: before the diagnosis existed is now available in paperback format!  It also has a new Facebook Book Page packed with information on Henry David Thoreau, Algernon Charles Swinburne, the great British chemist Henry Cavendish, and Autism!



Thursday, March 19, 2015

Apology to Jeffers

by Jared Carter



Better invent than suffer: imagine victims
Lest your own flesh be chosen the agonist . . .



                     Robinson Jeffers,
                       “Apology for Bad Dreams”



Ah, but I have had enough of your beauty,
            your granite headlands’ iterative shuddering,
            your solitary watch above the sea’s dark curve.
Still, in the east, Venus emerges in nacreous weeds,
            trailing soft garments, still you look out on
            indecipherable gyre of hawk and buzzard.
But we are focused elsewhere now, we gather
            by no rock-walled river, no desolate shingle.
            We hover instead before lighted screens.
We no longer experience beauty within, but rather
            confirmation of narcissism.  It is our own gaze,
            looking back, that works its transient charms.
Nor is there beauty in the pole-barns strung together
            out of wire mesh.  They have been engineered,
            made efficient.  There is only cage after cage.
Once you spoke of the grandeur of savage places,
            of Aldebaran, and the surpassing splendor
            of Andromeda, and their unending majesty.
Man is nothing alongside them, you proclaimed.
            He is insect, he is worm, he is bacteria.
            And now I am tempted to believe you.
About depravity you were right, about the horror
            of two wars, and a thousand little wars,
            wars swarming out of earth’s proud flesh.
But you were wrong about beauty.  For it, too,
            can be cuffed and led away, and stubbed out.
            It too can be submitted to profit-and-loss.
And when that happens there is only desiccation,
            only a great darkness amid artificial light,
            and murder, though small, committed by millions.
You were prophetic about the horrors still to come,
            that humans would turn and rend themselves.
            But you did not understand the craving to rend.
Yet all of this is hidden away, far from your shores,
            your headlands, your single promontory
            lost in the swell of stars and the night wind.
We live now so that the privileged might be insulated,
            and never encounter the blasted appendage
            or the surge of innards suddenly skewered.
We conduct our affairs far from the lone dog barking
            amid the ruins, we have outsourced the sound
            of the rifle butt banging against the door.
In this way the privileged may linger by their pools,
            or stay cocooned in air-conditioned rooms,
            unvisited by conscience or by troubling dreams.
Ah, but I have had enough of your beauty,
            your granite headlands’ iterative shuddering,
            your solitary watch above the sea’s dark curve.
Still, in the east, Venus emerges in nacreous weeds,
            trailing soft garments, still you look out on
            indecipherable gyre of hawk and buzzard.
But we are focused elsewhere now, we gather
            by no rock-walled river, no desolate shingle.
            We hover instead before lighted screens.
We no longer experience beauty within, but rather
            confirmation of narcissism.  It is our own gaze,
            looking back, that works its transient charms.
Nor is there beauty in the pole-barns strung together
            out of wire mesh.  They have been engineered,
            made efficient.  There is only cage after cage.
Once you spoke of the grandeur of savage places,
            of Aldebaran, and the surpassing splendor
            of Andromeda, and their unending majesty.
Man is nothing alongside them, you proclaimed.
            He is insect, he is worm, he is bacteria.
            And now I am tempted to believe you.
About depravity you were right, about the horror
            of two wars, and a thousand little wars,
            wars swarming out of earth’s proud flesh.
But you were wrong about beauty.  For it, too,
            can be cuffed and led away, and stubbed out.
            It too can be submitted to profit-and-loss.
And when that happens there is only desiccation,
            only a great darkness amid artificial light
            and murder, though small, committed by millions.
You were prophetic about the horrors still to come,
            that humans would turn and rend themselves.
            But you did not understand the craving to rend.
Yet all of this is hidden away, far from your shores,
            your headlands, your single promontory
            lost in the swell of stars and the night wind.
We live now so that the privileged might be insulated,
            and never encounter the blasted appendage
            or the surge of innards suddenly skewered.
We conduct our affairs far from the lone dog barking
            amid the ruins, we have outsourced the sound
            of the rifle butt banging against the door.
In this way the privileged may linger by their pools,
            or stay cocooned in air-conditioned rooms,
            unvisited by conscience or by troubling dreams.

Saturday, March 01, 2014

Review of Edward de Vere was Shake-speare


A customer review for Edward de Vere was Shake-speare that I like to think nails it.


http://www.amazon.com/review/R3K0CIRO31E5C5/ref=cm_cr_pr_perm?ie=UTF8&ASIN=B00H0L2758&linkCode=&nodeID=&tag=


This review is from: Edward De Vere was Shake-speare: at long last, the proof. (The Collected Poems of Edward De Vere) (Kindle Edition)

I've read numerous "Oxfordian" books but nowhere have I read such a clear identification of "Labeo" or explanation of what the "purge" Jonson was given probably was.

This is far from a rehash of old Oxfordian arguments. Purdy gives us a concise biography of the Earl, which may be of interest to readers new to the Shakespeare authorship question, but he goes beyond that into the realm of what contemporaries were writing. There's a dash of history as well. We learn about Pembroke's role and, for those who think Ben Jonson was merely extolling the virtues of a common player out of the goodness of his heart, we're reminded of Honest Ben's association with the Herberts. The incomparable pair of brethren went to quite a bit of trouble to secure control over literary works. Why?

I found the format with its numbered paragraphs a little disconcerting at first but once I got used to it I found it an easy way to get around. I do have a quibble with a repeated myth but it's a Stratfordian myth; pay no attention.

This book may not answer ALL the questions (which one does?) but it certainly raises a few. Since there's disagreement on which poems are Oxford's I don't see their omission as much of a flaw. Most of what survives was written when de Vere was a young teenager and were lyrics, meant to be sung. What was new to me was the discovery of three poems in Latin overlooked by history. How many more by the top courtier poet have been lost?

I'll be reading this one more than once and following up via the bibliography. Highly recommended.

Tuesday, August 18, 2009

American Life in Poetry #216: Judy Loest.

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Judy Loest lives in Knoxville and, like many fine Appalachian writers, her poems have a welcoming conversational style, rooted in that region's storytelling tradition. How gracefully she sweeps us into the landscape and the scene!


Faith

Leaves drift from the cemetery oaks onto late grass,
Sun-singed, smelling like straw, the insides of old barns.
The stone angel's prayer is uninterrupted by the sleeping
Vagrant at her feet, the lone squirrel, furtive amid the litter.

Someone once said my great-grandmother, on the day she died,
rose from her bed where she had lain, paralyzed and mute
For two years following a stroke, and dressed herself--the good
Sunday dress of black crepe, cotton stockings, sensible, lace-up shoes.

I imagine her coiling her long white braid in the silent house,
Lying back down on top of the quilt and folding her hands,
Satisfied. I imagine her born-again daughters, brought up
In that tent-revival religion, called in from kitchens and fields
To stand dismayed by her bed like the sisters of Lazarus,
Waiting for her to breathe, to rise again and tell them what to do.

Here, no cross escapes the erosion of age, no voice breaks
The silence; the only certainty in the crow's flight
Or the sun's measured descent is the coming of winter.
Even the angel's outstretched arms offer only a formulated
Grace, her blind blessings as indiscriminate as acorns,
Falling on each of us, the departed and the leaving.


American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2007 by Judy Loest. Poem reprinted from "After Appalachia," Finishing Line Press, 2007, by permission of Judy Loest and the publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.



Also at Virtual Grub Street by/about Ted Kooser:

Sunday, May 31, 2009

Miami Cult Member Selling Ruhama Canellis Dot Com

Someone has registered the domain name ruhamacanellis.com and is offering it for sale. The contact email address listed on the site belongs to a high ranking member of a Miami based religious cult that has been openly going after Alberto Cutie and the Roman Catholic Church for years.

by Gilbert Wesley Purdy.


On May 8th ― the day that Ruhama Buni Canellis was identified by the UPI as the love interest in the life of Roman Catholic priest Father Alberto Cutie ― the domain name ruhamacanellis.com was registered through the internet provider GoDaddy.com. The domain was purchased under a program GoDaddy offers to maintain a domain owner’s anonymity. The listing for ruhamacanellis.com at GoDaddy’s WhoIs search page reads the following in lieu of the registrant’s name:
Registrant:
This domain is for sale
Miami City
Miami, Florida 33015
United States
A gmail contact address (twittersdomain@gmail.com) is provided. The address does not have a searchable internet history.


At the site itself, however, (just below a picture of the cover of a tabloid newspaper featuring photos of then Father Alberto Cutie involved in love play on the beach with Ruhama) the contact email address provided for those who might be interested in advertising on the site is alvaro@aposmail.com. The site is laid out on a Google Blogspot template, features Google Adsense and advertising from unspecified sources and is called simply “Ruhama Canellis”. The articles and links portray Alberto Cutie and Roman Catholicism in the most unflattering possible fashion.

Alvaro@aposmail.com, as it turns out, is a very interesting email address. It is one of the many email addresses of Alvaro Albarracin, a close associate of Miami Cult leader Jose Luis De Jesus Miranda. De Jesus Miranda is the head and founder of the Creciendo En Gracias (Growing in Grace) church. The web site features links to a number of De Jesus Miranda’s and the church’s web sites including a site called “VaticanCrimes.US”. One unsigned post, dated May 28, 2009, reads “Father Cutie Will Marry Me Today, Thursday!”


De Jesus Miranda has declared himself both the second coming of Christ and the first coming of the Antichrist. In his theology both are the same person. In the words of Dan Matthewson, associate professor of religion at Wofford College:

In addition to its Latin American churches, the movement has also spread into the U.S., Spain, Italy, Canada, and Australia, with headquarters in Miami, Florida. Total, the group claims 300 congregations with more than 100,000 members, in addition to a 24-hour cable channel based in Columbia that purportedly reaches two million homes. Telegracia, as the channel is called, airs talk shows, music videos, and sermons in English, Spanish and Portuguese. It also broadcasts a news program, which is taped in the Miami headquarters.
De Jesus Miranda preaches that the Roman Catholic Church is evil and that there is no such thing as sin. (Actually, if pressed he adds that he finds all Christian denominations pretty much equally evil.) He has taken the number 666 and the letters SSS (which he claims stands for “Salve Siempre Salve,” but, of course, just might stand for “Six Six Six”) as corporate symbols of a sort. They appear on his backdrops, his pulpits and elsewhere. His followers often sport 666 tattoos.

According to a February 2007 Fox News article, Alvaro Albarracin, whose email address appears on ruhamacanellis.com, “oversees corporate donations to the church and holds the title 'Entrepreneur of Entrepreneurs.'” Albarracin has many business interests himself and among them is buying internet domains for resale. This might seem to explain his interest in the ruhamacanellis.com domain but there is much more to the story.

It seems that Alberto Cutie and De Jesus Miranda had a heated exchange of words in early 2005. Cutie had begun preaching that De Jesus Miranda was “ignorant,” “crazy,” “schizophrenic”. The founder of Creciendo En Gracia did not take the comments well and began counter attacking Cutie on his television station Telegracia. In December of 2006, well after the war of words had ended, De Jesus Miranda suddenly brought Cutie up again. The priest, he said, was going to fall due to a scandal.

Those who have been following the Alberto Cutie stories, since he was discovered on a Miami beach in love play with a then unidentified woman, will remember that Cutie admits that he has had an intimate relationship with Ruhama Canellis for “about two years”. That would mean that the relationship began at about the same time that Jose Luis De Jesus Miranda predicted that he was going to be the subject of a scandal. The cult leader is presently circulating a video claiming that he “prophesied” Alberto Cutie’s fall. A copy has been uploaded to YouTube by Creciendo En Gracias.

While Alvaro Albarracin is a notoriously fast operator, he does not seem the type to try to sell an internet domain that seems certain to be the subject of a lawsuit against whoever might buy it ― a lawsuit that would seem just as certain to succeed. And then there is the question of just who he might be selling it for. If he himself owns the site why pay a fee to mask the fact and then list his own personal email address on the site? If he is selling it for someone else then who is he selling it for? The answer to that question might be the answer to many of the mysteries surrounding the Alberto Cutie scandal.

Thursday, May 28, 2009

BBR-1

News:

Alberto Cutie Enters the Episcopal Church with Ruhama Canellis by his Side (Article, 5/28/09). "As I write this, the various television crews are still shooting their “fake live shots” inside the cathedral, with the Cathdral's Italian mosaics for backdrop. The CBS truck is outside my window, camera mounted on its tripod and 30 foot transmitter deployed waiting for its reporter."

New Poetry:

For the Tattooed Man by Sharmila Voorakkara
Fried Beauty by R. S. Gwynn
Seeing the Eclipse in Maine by Robert Bly
Dead Butterfly by Ellen Bass
Go to the Poetry Index >>>



New Book Reviews:


Never Far from a Breakdown. Collected Poems: With Notes Toward the Memoirs, by Djuna Barnes. Reviewed by Brian Phillips.

Thrills and Chills and Home Movies. Strong Is Your Hold, by Galway Kinnell. -and- Interrogation Palace, by David Wojahn. Reviewed by Peter Campion.

Barnes on Fire. A Word Like Fire: Selected Poems, by Dick Barnes. Reviewed by Peter Campion.

The Cosmic I. Present Company by W. S. Merwin.
Reviewed by by Gilbert Wesley Purdy.









Go to full Poetry Review Index>>>
Go to the Book Review Index>>>



New Interviews:


Translating Poetry into Poetry. An interview with C. K. Williams.
Nature Poems in a Post-Natural Age. An interview with Gary Snyder.
The Poet of Green Bananas and Baclao. An interview with Victor Hernández Cruz.

Alberto Cutie Enters the Episcopal Church with Ruhama Canellis by his Side.

I received the call at 10:00 last night. The Roman Catholic Priest, Father Alberto Cutie, would be arriving at Trinity Episcopal Cathedral today to formally join the Episcopalian church. I was given a short list of additional work items for the morning. Nobody had much of any idea what is done on such occasions, least of all myself.

The media began to show up in force at about 11:30 this morning. All instructions I’d been given as to how to handle them were countermanded almost immediately. New instructions were given and abandoned about once every half hour.

Alberto Cutie and Ruhama Canellis were accepted into the church in a ceremony that began at 1:30 p.m. It was a small private service attended by approximately 50 Episcopalian clergy, staff and guests. The service was presided over by the Right Reverend Leo Frade, Bishop of the Diocese of Southeast Florida. Cutie is awaiting ordination as a Deacon, as well, but will be allowed, in the meantime, to preach in Episcopal churches but not to officiate over any of the rites of the church.

A luncheon followed in the cathedral hall. As I was lunching apart, myself, I do not know for sure if Cutie attended but it is unlikely. The media was waiting impatiently outside in the breezeway between the north parking lot and the garden, the Diocesan public relations staff not quite sure, at that point, what to do with them. The former Catholic priest was kept in seclusion until the press conference that had been scheduled for 2:30.

All instructions for preparing for the press conference were, of course, repeatedly countermanded, and, as the result, the news crews had to break down and set up several times. I was to keep them strictly back behind the second row of pews, then the first, then in front of the first. No one was supposed to stand on the pews but then that too was abandoned as the cameras and reporters slowly inched their way forward in spite of all attempts to prevent them.

The conference finally began at about 3:00 in the cathedral transept. Bishop Frade first read a statement in English then Spanish. He introduced Alberto Cutie, “his fiancée,” Ruhama Buni Canellis, and family members. About 20 clergy were also squeezed into the little space we’d managed to keep clear for them.

Cutie wore a simple but well cut dark suit with an open-collar white shirt and was impeccably groomed. He also read a statement in English then Spanish. At the end of his statement the reporters began calling out questions in Spanish. He was immediately ushered out via the south transept, per plan, and into the church office questions being yelled out behind him.

Bishop Frade answered questions for nearly an hour until the crews slowly started drifting away, during which time we spirited Cutie and Canellis out a side door in a pouring rain (I’m just now drying out) and into a vehicle with tinted windows. As the vehicle with couple slowly exited the property, and I closed the gate in order to prevent it being followed, one reporter who had managed to discover our plans, and had parked just outside the gate, pursued them up the street and past the television equipment trucks and four police cruisers.

As I write this, the various television crews are still shooting their “fake live shots” inside the cathedral, with the Cathdral's Italian mosaics for backdrop. The CBS truck is outside my window, camera mounted on its tripod and 30 foot transmitter deployed waiting for its reporter. I will hope to find an embeddable video of the press conference to back fit into this later. I’d better go check how matters are coming along.