Five years later, I look back at this short essay as a
record of a better time. The library awaits
another round of arranging, of reshelving.
But it is unclear how many rounds remain to it, to me. If the number will be gratifying, the world
around this little ritual will continue to bear ever less relationship to it.
The aid such a library might offer toward helping our troubled world change for the better is dismissed out of hand. More than anything, it is overwhelmed with the tsunami of competing photos captioned with the world’s great wisdom in some dozen or so words, its worst puns and headlines to 300 word articles that few click on to read as they walk head down through crumbling landscapes swiping their SmartPhone screens.
The aid such a library might offer toward helping our troubled world change for the better is dismissed out of hand. More than anything, it is overwhelmed with the tsunami of competing photos captioned with the world’s great wisdom in some dozen or so words, its worst puns and headlines to 300 word articles that few click on to read as they walk head down through crumbling landscapes swiping their SmartPhone screens.
Still, there is another winter. Not Hesse’s winter. It is yet another winter of record
warmth. Between cries of disappointment
that the wrong shows won the annual awards the night before, and the wrong
actors, friends are posting their own photos celebrating flowers that have
begun to appear months ahead of schedule to bloom and fade before the few
remaining bees can joyously delve them and charm from the lovers the seed of
future generations. Occasionally the
temperature descends far enough to raise the prospect of a dusting of snow.
Vast numbers of aspiring writers, also unseasonable, bloom
in favorite cyber-venues and university programs calling for help to bring
forth their own fruit and attract the enormous potential audience implied by
the Internet. They have rigorously avoided
learning inaccessible vocabulary words and cast off the study of centuries of
manipulative elitist culture such as resides in the library I hope to keep
together for some little while longer. They
are forewarned of the evils of the specious authors of the past and do not reward
them for their crimes with a reading.
I am arranging the books on the shelves yet again. Usually I
begin within a couple of days of moving into a new place, but this time I was
in the middle of writing a book and the practical necessity of making a bit of
a living had to take precedence. Months of long days have gone by, with the
books I might immediately need being settled on the shelves a bit at a time.
The rest had to wait still packed in their boxes or clumped on shelves without
order.
Now the book is up on Amazon Kindle and the time is at hand.
The lingering sense of being at loose ends can be addressed inasmuch as it is
possible. Settling the books has long been a ritual, tedious, and oddly
rewarding. It is like disassembling the parts of myself, inspecting them for
wear, and reassembling them. Dates that have begun to slip away must be
recovered. Did Henry Vaughan come before Sir Thomas Browne? Just barely, it
seems. Swinburne read the novels of Zola as they came out, so the novelist and
he were roughly contemporary. Did Middleton Murray publish before the turn of
the century (the 19th to the 20th century, of course)? Was Nicholás Guillén a
member of the "Generation of '28"? No, that was Jorge Guillén, and it
was the "Generation of '27." A good excuse to read a poem or
two, anyway. I'll be remaking the weakened synapses of my brain for a couple of
weeks, at least.
Early on I gathered together the titles I could find from
Rilke, Hesse, Kafka, Virginia Woolf, D. H. Lawrence, Anais Nin. Also Mallarmé, Merwin and Neruda. Charles
Lamb's Essays of Elia came serendipitously to hand. It would be necessary to
take some time away occasionally from the writing in order to avoid getting
bogged down. This time would be filled with bicycling around the new
neighborhoods and dipping into old favorites.
This occasion is a little different, though. While I took
the opportunity, as I generally do, to buy some new heavy duty plastic shelves,
they have been loaded into an apartment in Virginia. The tropics are a thing of
the past, a travel destination if matters work out well enough. Having decided
to write for my living, it seemed an opportunity to be closer to family. I can
set up my office wherever there is Internet service in these incredible times.
Why not enjoy holidays with the family?
I'd missed autumn foliage and even the starkness of winter.
I first discovered the world of books in a landscape that had still more
daunting winters. The seasons have always been part of the experience. Hesse's
essays were often written in winter, snuggled on a picturesque Swiss
mountainside, and they are best read late on a winter's night, the cold hovering
outside some warm little corner. It is part of their charm. "It was late
in the evening when K. arrived," writes Kafka, in his novel The Castle.
"The village was deep in snow." Could it have begun any other way?
Last night I read about Leonard and Virginia Woolfs' visit
to the castle of the great essayist Michel Montaigne in the spring of 1931. As
luck would have it, I had picked up my copy of Virginia's Diary from on
top of my copy of Montaigne's travel journal. The latter makes a cameo
appearance in the biography of Edward de Vere I had just loaded up onto the
Amazon Kindle platform, Michel having traveled through the same Italian
landscape, only five years after the Earl, recording details of its cities and
towns between obsessive observations upon his kidney stones and other bodily
functions.
Earlier in the day I had been surprised to find a piece on
Erich Auerbach's Mimesis in a recent issue of The New Yorker magazine. I
looked up from the page to spy my copy in the literary detritus nearby,
patiently waiting its turn to have its proper place. Mimesis was only
published in the early 1940s, but, in the world dominated by the Internet, it
is already ancient history—or perhaps not quite ancient, yet, with the help of
one of the finer representatives of the waning magazine industry. The book is a
jewel.
Returning to the many happier results of the Internet,
several hundred of my books arrived in perfect order and ready for use. Not
only that, but most were published well before the 1940s and are available to
me only because Google Books is digitizing millions of books, most beyond
copyright, therefore available for free. My brother and brother-in-law were
surely happy not to have still more heavy boxes to help me move. As it is,
moving the library is a back-breaking effort. Few prove to be available to help
a second time.
These books did not seem to add noticeably to the weight of
my computer. Nearly one hundred of them were texts I've long known about but
been unable to read in full. They are volumes published between 1500 and 1900,
frequently cited in the text and notes of the Shakespeare crit. and authorship
books I've read over the years. They were precisely in place the moment I
turned on the computer. Facsimiles and original texts from the 16th century:
what a wonder! Also, the finest Shakespeare scholarship from 1800-1920! For
this reason, I could leave shelving the real-world library until my own book
was complete. I had hitherto unimaginable resources available to me without
having to have regular access to one or more major university libraries.
It is mind-blowing to have the four volumes of The
Manuscripts of His Grace the Duke of Rutland Letters and Papers, published
by His Majesty's Stationers Office, on the shelves. How empowering it is to
have Frederick Chamberlin's The Private Character of Queen Elizabeth,
with its exquisitely well researched medical record of her life. Putting aside
Shakespeare for the moment, what a pleasure to have Clement Shorter's
two-volume The Brontes; Life and Letters to read, and the first volume
of The Writings of John Burroughs, which the library-bound set soon to
be settled on its shelf is missing, and thousands more.
With this remarkable technology and good old fashioned
determination, I have opportunities available to me such as I could hardly have
imagined when I first ran my hand over an edition of The Vicar of Wakefield,
my copy of Henry and Ribsy tossed carelessly aside in favor of greater
challenges. Now I've gone yet another phase, clicking through the pages of
Thomas Nashe, Robert Greene, John Strype, following all the clues that had
tantalized me for so many years, the texts being beyond my reach.
On my bookshelves, I begin to arrange the books, many
purchased for a dollar or fifty cents apiece, from so many library book sales.
Those books are ancient history now, their rituals passing away. Libraries are
having to do their best to go on without them. Our technological acceleration
leaves most of us too busy to set aside time for such things. It turns out that
my confidence that there was proof somewhere, if I could only get to the texts
somehow, that Edward De Vere was Shakespeare, was justified. The detective
story is detailed in an electronic book for which I can now find inexpensive
advertising and distribution. More books will surely follow. For now, though,
there is the pleasure of settling the books.
Also from the Library of Babel:
- Blank Verse Now and Then. January 1, 2019. “Surrey was as erratic as most young noblemen during early English history, and far more brilliant, and was imprisoned several times for temper and intemperance. In the end, he became rather impatient for the gouty, porcine, syphilis-riddled Henry VIII to die, and for the Howard faction to rule as regents to the young, fragile, son conceived of the syphilitic, Edward.”
- The Elegy and the Internet. July 1, 2005. ‘Drummond, we may remember, was the William Drummond, of Hawthornden, who Ben Jonson visited during a trip to Scotland, in 1619. The Scot took the time to jot a memorandum of Jonson's conversation, in which we learn inter alia that "he cursed Petrarch for redacting Verses to Sonnets, which he said were like the Tirrant's bed, wher some who were too short were racked, others too long cut short,"7 and "That Shakspear wanted Arte."’
- Be sure to check out the Browser's Guide to the Library of Babel.
No comments:
Post a Comment